![]() ![]() ![]() I think it's great that the Rock and Roll Hall of Fame has recognized this immense talent. He's sort of a performer, singer, actor, magician, spirit guide, changeling. Introducing him, Neil Young said "This next man is indescribable, and I'm here to describe him. In 2011, he was inducted into the Rock and Roll Hall of Fame. In 2006, Waits and Brennan were ranked fourth on Paste's list of the hundred greatest living songwriters. His songs have been covered by Bruce Springsteen, Tori Amos and the Ramones and he has written songs for Johnny Cash and Norah Jones, among others. Waits has influenced many artists and gained an international cult following. Waits went on to release Real Gone (2004), the compilation Orphans: Brawlers, Bawlers & Bastards (2006), the live album Glitter and Doom Live (2009) and Bad as Me (2011). In 2002, the songs from Alice and Wozzeck were recorded and released on the albums Alice and Blood Money. ![]() Bone Machine (1992) and Mule Variations (1999) won Grammys for Best Alternative Music Album and Best Contemporary Folk Album, respectively. Waits and Wilson collaborated again on Alice (2002) and Woyzeck (2000). Burroughs on the "cowboy opera" The Black Rider (1990), the songs for which were released on the album of the same name. He collaborated with Robert Wilson and William S. Waits starred in Jim Jarmusch's Down by Law (1986), lent his voice to his Mystery Train (1989), composed the soundtrack for his Night on Earth (1991) and appeared in his Coffee and Cigarettes (2003). With Brennan's encouragement and frequent collaboration, he pursued a more eclectic and experimental sound influenced by Harry Partch and Captain Beefheart, as heard on the loose trilogy Swordfishtrombones (1983), Rain Dogs (1985) and Franks Wild Years (1987). In 1980, Waits married Brennan, split from his manager and record label, and moved to New York City. He composed the soundtrack for Francis Ford Coppola's One from the Heart (1982) and made cameos in several subsequent Coppola films. During this period, Waits entered the world of film, acting in Paradise Alley (1978), where he met a young story editor named Kathleen Brennan. He repeatedly toured the United States, Europe and Japan, and found greater critical and commercial success with Small Change (1976), Blue Valentine (1978) and Heartattack and Vine (1980). His first albums were the jazzy Closing Time (1973), The Heart of Saturday Night (1974) and Nighthawks at the Diner (1975), which reflected his lyrical interest in poverty, criminality and nightlife. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk circuit. Waits was born and raised in a middle-class family in California. Their stories are accompanied by music that’s unlike any other in pop history.” Waits creates three-dimensional characters who, even in their confusion and despair, are capable of insight and startling points of view. A keen, sensitive and sympathetic chronicler of the adrift and downtrodden, Mr. Per The Wall Street Journal, Waits “has composed a body of work that’s at least comparable to any songwriter’s in pop today. He began in the folk scene during the 1970s, but his music since the 1980s has reflected the influence of such diverse genres as rock, country, Delta blues, opera, vaudeville, cabaret, funk, hip hop and experimental techniques verging on industrial music. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter, and actor. ![]()
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